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Read […]. Well, some fans took exception to that and unfollowed him. As of this writing, his count is under k, which is unfortunate. Cairo CG , rto. Davies , 11, n. Varille 20, 5 year 32 ; O.
Turin no. BM , rto. CGC , I: 10 before year Mentioned together with his father in O. UC ; O. DeM , rto. Inscription and figures incised and painted. The upper register includes two rams facing each other, both crowned by two tall plumes, a solar disk and uraeus. A small offering table placed between them acts as the central axis of the composition. In the lower register, the workman Bay is kneeling with his arms raised in adoration.
Before him are three pairs of large ears, painted in different colours, alluding to the expected capacity of the deity to listen to the appeal of the pious supplicant. Lower register: Giving praise to Amun-Ra. Made byb the servant in the Place of Truth, Bay. IV, f.
Among them, two may be considered as good candidates for the owner of the stela. The Bay of this stela is more likely to be the 19th Dynasty person. The embodiment of the god Amun-Ra as the ram Parehnynefer can also be found on a stela of the foreman Baki, dated to the reign of Seti I Turin no.
Saleh — Sourouzian , no. Sadek , , pl. Guglielmi , Tiradritti , Morgan , 84 f. Toye-Dubs , no. DATE: 19th — 20th Dynasties. The upper register preserves only the lower part of a baboon seated on a shrine, and the lower sections of three offering table stands in front of it. In the lower register the workman Roma is kneeling with his arms raised and his prayer inscribed before him.
The name Roma is attested at the end of the 18th Dynasty, but is more common in the 19th and 20th Dynasties. Giving praise to your benevolence, and may your ka be satisfied every day. Made by the servant in the Place of Truth, Roma. There are, indeed, several workmen called Roma within the Deir el-Medina documentation of the 19th and 20th Dynasties, and it is not easy to link one of them with the Cairo stela.
Two were relatives of Sennedjem TT 1 , brother and nephew, at the beginning of the 19th Dynasty. Gardiner , rto. CGC , rto. CGC , vso. Gardiner 57, rto. II: 2; O. IFAO , 4; P. Greg, rto. IFAO , 4. See also, Davies , I, 9; O. He is carved in raised relief, while the hieroglyphic text bordering the image is in sunk relief and bears the cartouches of Ramesses IV. The signs carved inside the cartouches are difficult to read due to their size. However, he should rather be regarded as the intermediary between an anonymous individual, the real owner and dedicant of the stela, and the deified Amenhotep I.
Beckerath , , El Shazly , f. DATE: 20th Dynasty. Both figures and hieroglyphs were first incised and then coloured. In some places the painting corrects the incised outline. The area is divided into two framed registers.
Above, four deities are seated on thrones, facing right. Ptah is first, followed by the crocodile-headed Sobek-Ra, Isis in human form and the snake-headed Merseger. Below, the god Shed, characterised as a young prince with a side-lock, uraeus-diadem and harness across his chest, holds a scorpion, three snakes, a spear and a shield. The last figure, a woman, is followed by a small standing girl, holding a duck and a papyrus stem. Lower register: Left: Shed, great god.
Right: The servant in the Place of Truth, Paherypedjet, justified; his son Amenmose, justified; the lady of the house Nebuririset, justified; her daughter Nebumaha, justified. See below CG His wife Nebuririset and his son Amenmose are depicted on the coffin making offerings to the deceased. Other individuals with the name Paherypedjet are documented during the reigns of Ramesses II and Ramesses III,24 so one should be cautious not to identify them erroneously.
Daressy , Loukianoff , 73, pl. DATE: 18th Dynasty. It seems unfinished, with the edge quite irregular and the figures mostly outlined and coloured in red, as preliminary drawing prior to carving.
The artisan had begun to carve a udjat-eye in the upper part, but this was left unfinished. There is no trace of a second udjat-eye at the other side of the solar disk painted in red in the middle of the lunette. Below, a man makes offerings to a statue of the god Ptah, with the skullcap coloured in blue, standing on a pedestal and holding a was-sceptre. Remains of mud and straw at the back of the stela indicate that it was originally embedded in a mud-brick wall.
The single framed scene has been incised and then painted. A standing male figure raises his hands in adoration to a baboon sitting on a shrine. The baboon is identified as the god Thot, who holds a scribal palette and wears a combination of a full-moon disk? He is depicted together with his brothers on a stela dedicated to his father, and found in the Valley of the Kings see above CG He was involved in the decoration of the tomb of the foreman Inherkhau, TT As draughtsman he must have had some knowledge of writing, which may have inspired his devotion to the god Thot.
DATE: 19th — 20th Dynasty. The king is holding a standard with his name, Djeserkara Amenhotep. There are traces of red as the background colour of the two cartouches. Both figures and text were first incised and then painted.
The main inscription has a yellow background and the vertical lines separating the text columns are painted in red. Taweret was a relatively popular deity at Deir el-Medina Sadek , 27 , due to her powers to encourage gestation, birth and offspring. Thus, she was mostly associated with women, but not exclusively, as there are attestations of men dedicating a stela to the goddess Turin no. DATE: 20th Dynasty? He wears a crown with two tall feathers, and has a flagellum above his raised arm.
Behind him are two lettuce? There are traces of a vertical inscription above the divine figure, with signs also coloured in dark greenish grey, and separating lines painted in red.
The surface is divided into two framed scenes. The upper register depicts a man and his wife sitting at an offering table, wearing unguent cones on their heads. Their son, dressed as sem-priest in a panther skin, is making a libation while holding a lotus flower. The lower register shows a second woman sitting at an offering table, with an unguent cone on her head. Behind him are two rows of children bringing in a couple of ducks and lotuses.
His son, Roma. Left: A boon that the king grants and also Hathor, mistress of the West may she give for the ka of the lady of the house, Pasitjay. Lower register: Left: For the ka, pure! The style of the stela is very similar to the Deir el-Medina stela which probably came from tomb no. Not carefully executed. Most of the surface is occupied by two standing figures facing each other.
A man raises his hands in adoration to Amun-Ra, whose skin is coloured in blue. The deity is crowned by two tall feathers and is holding a was-sceptre. The three-column inscription above the figures, as well as the horizontal line at the bottom, has a yellow background and the signs are filled in black.
Right: The servant, Neferhotep, justified. Below: Made by Meryra, justified, and the servant Neferhotep, justified. Thus, the figure adoring Amun-Ra must be the father Neferhotep, and the two names mentioned below as dedicants, Meryra and Neferhotep, are his two sons. Ramesses II. The preserved scene shows two male figures kneeling in adoration probably a mirrored representation of the same person flanking the solar barque, with the royal name [User]maatra Setepenra inside the solar disk.
Right: [ The background of the scene is yellow. A man is depicted standing with his hands raised in adoration. Instead of a prayer, an offering formula mentioning Hathor has been written before him, in a vertical column separating him from three pairs of large ears painted in different tones of blue and red, probably alluding to the expected disposition of the goddess to listen to the supplicant.
Made by Montumin [ The curves of his body and the style of the kilt date the stela to the very end of the 18th or early 19th Dynasty.
Morgan , 90 f. Stele Gaber — Rizzo — Servajean , There are traces of guiding lines in black. The inscription and figures were first incised and then coloured in yellow. A man and a woman are kneeling with their hands raised in adoration. Their limbs are elongated. Davies , chart 8.
The fragment probably belonged to a stela pertaining to Didi, fragments of which were found in tomb no. He wears a tall, conical, white crown, a pectoral and a short kilt. Compare with CG below. Giveon , Cornelius , 38 f. Weiss , Cat. A snake with a pair of high plumes and a solar disk, probably the embodiment of the goddess Merseger, stands before an altar upon which is placed an unguent jar and a lotus plant was added at the other side.
The lower fragment was found by Norman de G. DATE: 19th or 20th Dynasty. The surface is framed and divided into two registers. Above, a man is kneeling though only the knee on the ground, the foot of the other leg and part of the kilt are preserved before an altar only the stand is visible facing a goddess seated on a throne at the other side. Behind the goddess, the wavy diagonal lines represent the hillside of the necropolis.
Below, the owner kneels with his hands raised in adoration, facing sixty snakes fifty-seven visible. His prayer is inscribed above his head, in three vertical columns. Hathor]a every day, and may she grant life, prosperity and health for the ka of the servant [in the Place of Truth, Ken]ro, justified.
The latter conducted a survey in the area of the small stone shrines higher up the hill, where he found several stelae; but in the publication he does not include the lower fragment Davies , and hence the exact find spot remains uncertain.
Several individuals named Kenro are attested in the documentation between the first half of the 19th Dynasty and the reign of Ramesses IX, the earliest being the owner of TT Davies , f. The identification of the owner and the exact dating of the stela is therefore problematic. There are traces of red on the skin of the figures.
A man is making a libation from a vessel in the shape of an open lotus flower, while he offers a duck on a brazier to a figure of the god Reshpu, who holds up a shield in his left hand and brandishes a mace-axe in the other.
A warrior harness crosses his chest, below a broad collar. Below: Made by the servant Amenemipet, reborna. Cornelius , 44 RR 21 , pl. The single framed scene depicts the goddess Hathor on the right seated on a throne, before a small altar, facing left, and suckling a small child with a side-lock painted in black the only visible trace of preserved colour.
She rests her feet on a cushion. On the opposite side the snake-headed goddess Merseger sits on a throne before another small altar, the two set on a pedestal. The space between the two altars, the axis of the stela, is occupied by a group of fourteen crawling snakes depicted on top of each other.
Given protection, life, duration and authority. Left: Merseger, mistress of the West, lady of heaven, mistress of the gods. Below: Made by the servant in the Place of Truth, Paser. The stela may equally have been found in a shrine devoted to Merseger or from the Valley of the Queens. Paser is attested as workmen under Ramesses II Davies , 67, , and is mentioned on a door jamb fragment found in the village, in the house N.
Corteggiani , 60 f. The unframed lunette seems to be unfinished, leaving the left side blank while a hippopotamus is depicted to the right, before an altar.
Below is a mirrored image of a man kneeling with his hands raised in adoration. Above and between the two figures facing each other, two prayers have been inscribed, displayed in opposite directions corresponding with their speakers.
Left: Giving praise to Seth, beloved of Ra, great of might in the bark of millions of years , for the ka of his son Amunshedu, justified. Gardiner , vso. The god Seth could adopt the form of both a pig and a hippopotamus. In the upper register, a king, wearing a nemes-headdress with uraeus and an adorned kilt, offers papyrus flowers to a goddess.
He is followed by a bald standard bearer, who wears a long garment and a stola around his neck. In the lower register, the owner of the stela is depicted kneeling with his hands raised in adoration.
His prayer was inscribed before him in four columns. Left: Hathor, chief of Thebes, lady of heaven, mistress of the gods. Lower register: Giving praise to Hathor, chief of Thebes, kissing the ground for the lady of heaven.
As I please the true living royal ka of the lord of the Two Lands, Usermaatra Setepenra, given life, may he grant me favours, my mouth with maat,a for the ka of the guardian in the Place of Truth, Khawy, justified. Inside the room where the stela was found were other stelae and reliefs showing Ramesses II offering to Hathor. Below the lunette, at least three columns of text were written which open with the royal titulature. Caption: Amun-Ra, king of the gods of Karnak, great god.
Lower register: The good god [ The upper register or lunette depicts a row of three kings, wearing a nemes-headdress with uraeus, each holding a heqa-sceptre and flail, seated on thrones before a floral stand.
Right: Made by the scribe in the Place of Truth, Ramose, justified in front of the great god. The kings in the upper register are depicted as memorable ancestors, adopting the Osiris guise. Ramose succeeded Amenemipet as scribe of the gang CG , was appointed scribe of the royal tomb in year 5 O. CGC and continued to be active until at least year 38 O. Ramose and his wife, Mutemuia, left a large number of votive offerings inside the enclosure, around the sanctuary of Ramesses II and the chapel of Hathor, which has raised doubts about their capability to bear children, since it is known that they adopted a child, Kenherkhepeshef, who would follow in the footsteps of Ramose as scribe see offering table Louvre E and lintel CG Ramose and his wife had three funerary chapels built in the necropolis: TT 7, and The former could have been his tomb Davies , 83 and the latter was built for a group of women, perhaps concubines.
The framed surface is divided into two scenes. He wears earrings, a harness across his chest and a quiver hanging behind his back. He is shown grasping a lion by its tail, and in his left hand he holds a bow, three snakes, three scorpions and the leashes of two rampant gazelles perching on a bush.
Below, the owner of the stela is kneeling with his hands raised in adoration, his prayer inscribed before him. Lower register: Giving praise [to the god Shed However, the insertion of the sparrow-sign in the middle seems to support the reading Neh-neby.
For the construction smA m snb, see Wb. Corteggiani , 64, no. Schmitz , , no. Negm , The surface is divided into two registers. The lunette is occupied by a barque with a large-scale baboon on board. The baboon is crowned by a combination of the full-moon disk? However, in the excavation report vol. I, 77 , he makes it very clear that the stela was not found there, but inside another small pit in Room 9.
In the lower right corner, the owner is kneeling with his hands raised in adoration, followed by his daughter. The prayer he is speaking aloud is inscribed before him. Lower register: Giving praise to Iah-Thot, great of might for the divine Ennead, kissing the ground for the great god, senior of the gods, great of powers, kind to him who pleases yousic, who listens to the pleadings of the one who summons him, who comes at the voice of the one who pronounces his name,a who listens the petitions of the one who places him in his heart.
He has made it on behalf of the name of his lord. His beloved daughter, maidservant of Iah, Merytamun, justified. The latter option fits better with the phraseology of Deir el-Medina stelae.
The phrasing di. He is also mentioned on stela CG , and was the great grandfather of the Penamun mentioned on stela CG There is no direct evidence of a sanctuary dedicated to Iah by itself, but there are few male priestly titles related to the cult of Iah since the mid 18th Dynasty. See the commentary for CG above.
Morgan , Stele It is divided into two registers. Above, a winged goddess stands embracing a king from behind, probably Amenhotep I, who sits on a throne.
The lower register preserves part of the prayer spoken by the owner of the stela. Lower register: Giving praise to the true living royal ka of the lord of the Two Lands, beloved of Ra. May he grant me life, prosperity and health, in the West of? The framed scene is divided into two registers.
Above, a snake-headed goddess sits on a throne, crowned by two high plumes and a solar disk, holding a was-sceptre and an ankh-sign in her hands. A man approaches her burning incense, followed a woman making a libation. Her prayer is inscribed before her. Protection, life, duration and authority are with her. Burning incense, for the ka of the lady of the Two Lands, by the stonemason Nebwawy, justified, and his sister, the lady of the house, Takha.
Lower register: Giving praise to Merseger, kissing the ground for the lady of heaven, mistress of the Two Lands, by the mistress of the house Takha, justified. A third Nebwa wy also worked as water carrier at that time O DeM The feminine name Takha was also quite popular at Deir el-Medina in the 19th Dynasty, but none seem to be related to one Nebwawy Davies , 10, 21, 27, chart 3.
The temporary register number suggests that it was included in the same partage as the stela of Nebwawy and Takha CG , which may indicate that it was discovered between and DATE: 19th Dynasty? The lunette was framed, and in the central axis at the top it contained a solar disk, with two? Probably from the tomb-chapel of Amennakht TT It was divided into two framed registers.
Above, the feet may identify a male figure standing before an altar, followed by two women. Below, two couples seated on chairs facing left are receiving offerings from a young man facing right. Behind the latter are traces of the rear head of a figure facing left, which seem to indicate that there was another similar scene to the left. His sister, his beloved one, the lady of the house, Iytemway.
Her sister, her beloved one, Taweret. The son of [ Left: His son, his beloved, Khaemtir. His son, Tjaunedjem. Left scene 2 : [ Ashmolean ; O DeM and thus his father, Amennakht, must have been an active member of the gang in the first half of the reign of Ramesses II. The latter is the owner of the tomb-chapel TT Khaemtir, the youngster making the offering, is a son of Amennakht, and he is the owner of TT These three tomb-chapels are closely located to each other in the village necropolis, their burial chambers are connected and are accessed through the same shaft.
The stela was probably found in one of these chapels, most likely TT Tjaunedjem, son of Amennakht, is represented in the burial chamber of his brother Nebenmaat, TT Maystre , 22, pl. The second Amen[nakht], mentioned at the left of the stela, might have been the son of Nebenmaat.
The owner is kneeling, facing right, with his hands raised in adoration. Columns of text, written from right to left, have been carved before, above and behind him. He and Aha were asking for retweets and comments so they could drop. Read about that here. Boon is a friend that helps you through the lessons. As the lyrics go, Acer Chap talks of his blessings during his monumental journey as a gospel music artist.
Acer Chap has also hinted for fans to look out for more from him as is also expected to drop his second studio album Monumental very soon. Listen to Acer Chap Below: […].
Gaining recognition as a music producer in Christian rap can be challenging, especially if they are from a different country. Signature Nation, however, has managed to beat the odds and become a well-known name within the CHH community.
I had the opportunity to talk to the melody prodigy himself about his journey so far. Signature Nation is a year old music producer from Wellesley, Ontario, Canada. He started producing while at university, experimenting with Logic Pro x.
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